MODULE 3: SUSTAINABLE PROSPECTS. WEEK 12.

Books
  • Albers, Josef. Colour Interaction.
  • Al-Maria, Sophia. The Girl Who Fell To Earth. Harper, New York 2012.
  • Angier, Roswell. Train Your Gaze. Bloomsbury, London 2007.
  • Bey, Dawoud. Photographing People and Communities. Aperture Foundation, New York 2019.
  • Bright, Susan. Feast For The Eyes. Aperture Foundation, New York 2017.
  • Didion, Joan. The White Album. 4th Estate, London 2017.
  • Ellams, Inua & Sparham, Anna. London Nights. Hoxton Mini Press, London 2018.
  • Fekete, Liz. Fault Lines. Verso Books, London 2019.
  • Homer. The Odyssey. Translated by Emily Wilson. WW Norton & Co, New York. 2018.
  • Hostetler, Lisa (ed). A Matter Of Memory: Photography As Object In The Digital Age. George Eastman Museum, New York 2016.
  • Kapuscinski, Ryszard. The Other. Verso Books, London 2018.
  • Kunial, Zaffar. Us. Faber & Faber, London 2018.
  • Mark, Mary Ellen. On The Portrait And The Moment. Aperture Foundation, New York 2015.
  • Miseilas, Susan. On the Frontline. Aperture Foundation, New York 2017.
  • Weiss, Marta Rachel (ed). Making It Up: Photographic Fictions. Thames and Hudson, London 2018.
  • Wolf, Sasha (ed). Photo Work: Forty Photographers On Process and Practice. Aperture Foundation. New York 2019.
Exhibitions etc

Pre-Raphaelite Sisters. National Portrait Gallery.

A Feast For The Eyes. The Photographers Gallery. 

Magazines, Articles, and Online

Uncanny Labyrinths. Jonathan Liebembuk. Migrant 6: Foreign Agents. Loose Associations Volume 5. The Photographers Gallery 2019.

Alec Soth on his novelistic approach to photography: https://www.artspace.com/magazine/interviews_features/meet_the_artist/alec-soth-interview-52604

Burn Magazine

Point.51 Magazine

https://nonfiction.sunygeneseoenglish.org/2017/04/02/biomythography-fact-and-fiction-as-identity/

http://thejournalista.com/2015/11/what-is-a-biomythography/