MODULE 4: INFORMING CONTEXTS. WEEK 12.

BOOKS

  • Barthes, R. 1998. (Ed. Dayton, E.). Art and Interpretation: An Anthology of Readings in Aesthetics and the Philosophy of Art. Ontario: Broadview.
  • Barthes, R. 1981. Camera Lucida. 2nd edn. London: Vintage.
  • Barthes, R. 1977. (Ed. Heath, S). Image, Music, Text. London: Fontana Press.
  • Bate, D. 2016. Photography: The Key Concepts. London: Bloomsbury.
  • Berger, J. 1967. Understanding A Photograph. 21st edn. London: Penguin.
  • Campany, D. 2008. Photography and Cinema. London, Reaktion Books.
  • Fortenberry, D. and Morrill, R. (Ed.). 2015. Body Of Art. London: Phaidon Press.
  • Fortenberry, D. and Morrill R. (Ed.). 2018. Flying Too Close To The Sun. London: Phaidon Press Ltd.
  • Gladwell, M. 2019. Talking To Strangers. London: Allen Lane.
  • Hostetler, L (Ed). 2016. A Matter Of Memory – Photography As Object In The Digital Age. New York: Eastman Museum.
  • Jurgenson, N. 2019. The Social Photo: On Photography and Social Media. London: Verso.
  • Moon, S. 2009. Photofile. 2nd edn. London: Thames and Hudson.
  • Malik, N. 2019. We Need New Stories. London: Weidenfeld and Nicolson.
  • Niven, A. 2019. New Model Island. London: Repeater Books.
  • Pollock, D; Pollock, M; Reken, R van. (Ed). 1999. Third Culture Kids.3rd edn. Boston: Nicholas Brealey Publishing.
  • Rutherford, A. 2020. How To Argue With A Racist. London: Weidenfeld and Nicolson.
  • Sassen, V. 2018. Hot Mirror. London: Prestel.
  • Short, M. 2011. Context and Narrative. South Africa: AVA Publishing.
  • Shukla, N (Ed). 2016. The Good Immigrant. London: Unbound.
  • Sontag, S. 1977. On Photography. London: Penguin.
  • Soutter, L. 2013. Why Art Photography? 2nd  edn. Oxford: Routledge.
  • Storr, A. 1991. The Dynamics Of Creation. London: Penguin.
  • Szarkowski, J. 1966. The Photographer’s Eye. New York: The Museum of Modern Art.
  • Tharp, T. 2006. The Creative Habit. New York: Simon & Schuster.
  • Vecchione, P. and Raymond, A. (Ed). 2019. Ink Knows No Borders. New York: Seven Stories Press.
  • Wolf, S. 2019. Photowork: Forty Photographers On Process and Practice. New York: Aperture Foundation.
  • Woodman, F. 2020. On Being An Angel. London: Koenig Books.
  • Zephaniah, B. 2019. The Life and Rhymes of Benjamin Zephaniah.

FILMS

Bettina Kolb & Eva Mehl. Ai Weiwei – Drifting. 2017.

MAGAZINES

Harris, C. 2020. ‘We Are Here And We Will Be Counted’. The RPS Journal Volume 160, April.

ONLINE ARTICLES

Article. No date. Interview with Cristina de Middel. Photoworks (online). Available at:  https://photoworks.org.uk/interview-cristina-de-middel/

Article. 2016. Visual narratives: A critical analysis of the staged photography of Sam Taylor Wood and Tom Hunter. Fotografie Apertureka December. Available at: https://www.apertureka.com/single-post/2016/12/02/Visual-narratives-A-critical-analysis-of-the-staged-photography-of-Sam-Taylor-Wood-and-Tom-Hunter

BioMyth. No date. Available at:  https://biomyth.wordpress.com/about/

Colberg, J. 2013. A Conversation with Christian Patterson. Conscientious Photography Magazine 30 April (online). Available at: https://cphmag.com/a-conversation-with-christian-patterson/

Connolly, K. 2018. Ai Weiwei: ‘The Mood Is Like Germany In The 1930s’. The Guardian (online) 10 December. Available at: https://www.theguardian.com/artanddesign/2018/dec/10/ai-weiwei-interview-un-declaration-human-rights-70th-anniversary

Cutler, S. 2010. Sam Taylor Wood: Vanitas. Photographs Do Not Bend 1 September. Available at:  http://www.photographsdonotbend.co.uk/2010/09/sam-taylor-wood-vanitas.html

Dawson, A. 2018. Ai Weiwei: ‘I’m like a high end refugee’. The Art Newspaper (online) 27 March. Available at:   https://www.theartnewspaper.com/interview/ai-weiwei-i-m-like-a-high-end-refugee

Dea, K. 2014. Sam Taylor-Johnson. Widewalls 6 December. Available at: https://www.widewalls.ch/artist/sam-taylor-johnson/

Mack. Feature: Redheaded Peckerwood. Lensculture (online). Available at:  https://www.lensculture.com/articles/christian-patterson-redheaded-peckerwood

Mallonee, L. 2015. Infamously Altered Photos, Before and After Their Edits. Wired 29 July (online). Available at: https://www.wired.com/2015/07/bronx-documentary-center-infamously-altered-photos-edits/

O’Hagan, S. 2011. Taryn Simon: The woman in the picture. The Guardian 22 May (online). Available at:  https://www.theguardian.com/artanddesign/2011/may/22/taryn-simon-tate-modern-interview

Owen, J. 2012. On the edge of reason: The torment of Don McCullin. The Independent 30 December (online). Available at: https://www.independent.co.uk/arts-entertainment/films/features/on-the-edge-of-reason-the-torment-of-don-mccullin-8433309.html?amp#aoh=15825746742512&referrer=https%3A%2F%2Fwww.google.com&amp_tf=From%20%251%24s

Salvati, M. 2013. An interview with Cristina de Middel. GUP Magazine 17 January (online). Available at: http://www.gupmagazine.com/articles/an-interview-with-cristina-de-middel

Shaheen, S. 2011. Photographer Taryn Simon on Shooting Pussy Riot and the Politics of Media. Vogue 8 August (online). Available at: https://www.vogue.com/article/taryn-simon-interview-pussy-riot-image-atlas

Shaw, C. 2017. Stolen moments: Taryn Simon on customs, counterfeits and the Russian media. Wallpaper 26 May (online). Available at: https://www.wallpaper.com/art/taryn-simon-portraits-and-surrogates-gagosian-gallery-hong-kong

Tapper, J. 2020. Hiding in plain sight; activists don camouflage to beat met surveillance. The Guardian 1 February (online). Available at: https://www.theguardian.com/world/2020/feb/01/privacy-campaigners-dazzle-camouflage-met-police-surveillance

Thein, M. 2013. The Line Between Art and Photography. Huffpost 18 November. Available at: https://www.huffpost.com/entry/art-and-photography

Wilkinson, A. 2019. Ai Wewei on the global refugee crisis, the Chinese movie industry, and his new film. Vox (online) 22 July. Available at: https://www.vox.com/culture/2019/7/22/20678786/ai-weiwei-interview-the-rest-human-flow-refugees-sheffield

VIDEOS

Louisiana Channel. 2015. Jeff Wall Interview: We Are All Actors. [Interview]. Available at:  https://youtu.be/B8P9S6FeAuU

Moholy-Nagy Foundation. 2010. Dynamics of the Metropolis preview. [Short film]. Available at: https://youtu.be/XMSscELfXEk

Nowness. 2011. Reflections: Taryn Simon’s Photographic Truth. [Short Film]. Available at:  https://www.nowness.com/series/reflections/taryn-simon-shot-true

The Photographers Gallery. 2013. Cristina de Middel, Deutsche Borse Photography Prize 2013. [Exhibition Interview]. Available at:  https://youtu.be/EyvbCYwnzTk

SFMOMA. 2018. Tomoko Sawada’s portraits create familiar characters. [Exhibition interview]. Available at: https://youtu.be/ZIk8YzMj_Yw

TransformerStation. 2014. Christian Patterson Talks About Redheaded Peckerwood. [Exhibition Interview]. Available at: https://youtu.be/VEREs7PRcik

The Art of Photography. 2020. Sony Xperia 1 ii: A9 in a Smartphone. [Camera review]. Available at: https://youtu.be/7WdTwiQZtTs

WEBSITES

Aint-Bad. Available at: https://www.aint-bad.com/

Artsy. Available at: https://www.artsy.net/artist/diane-arbus

Clare Bottomley. Available at: https://clarebottomley.co.uk/

GUP. Available at: http://www.gupmagazine.com

Huck Magazine. Available at: https://www.huckmag.com/

New Cosmos of Photography. Available at: https://global.canon/en/newcosmos/gallery/selected-artists/tomoko-sawada/index.html

Point.51. Available at: https://point51magazine.com/

Rinko Kawauchi. Available at: http://rinkokawauchi.com/en/

TBW Books. Available at: https://www.tbwbooks.com/products/annual-series-no-6-four-book-set?variant=1696364363801

Tom Pope. Available at: https://www.tompope.co.uk/

Wolfgang Tillmans. Available at: https://tillmans.co.uk/